Silence in Sikeston Archives - Ñî¹óåú´«Ã½Ò•îl Health News /news/tag/silence-in-sikeston/ Mon, 17 Mar 2025 09:10:08 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 /wp-content/uploads/sites/2/2023/04/kffhealthnews-icon.png?w=32 Silence in Sikeston Archives - Ñî¹óåú´«Ã½Ò•îl Health News /news/tag/silence-in-sikeston/ 32 32 161476233 Journalists Share How Additives Enter Food Supply and Measles Harms Kids’ Immune Systems /news/article/on-air-march-15-2025-fda-gras-food-chemicals-additives-measles-outbreak-vaccine/ Sat, 15 Mar 2025 09:00:00 +0000 /?p=2000518&post_type=article&preview_id=2000518 Ñî¹óåú´«Ã½Ò•îl Health News senior correspondent David Hilzenrath discussed how the FDA allows risky chemicals in America’s food supply on CBS’ “CBS Mornings Plus” on March 11.

Ñî¹óåú´«Ã½Ò•îl Health News editor-at-large for public health Céline Gounder discussed the measles outbreak on CBS’ “CBS Mornings” on March 7. She also discussed how measles affects the immune system on CBS 24/7’s “The Daily Report” on March 5.

Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony discussed her documentary, “Silence in Sikeston,” on KBIA on March 7.

Ñî¹óåú´«Ã½Ò•îl Health News Southern correspondent Sam Whitehead discussed the basics of Medicaid on WUGA’s “The Georgia Health Report” on Feb. 28.

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Listen: NPR and Ñî¹óåú´«Ã½Ò•îl Health News Explore How Racism and Violence Hurt Health /news/article/racism-violence-black-american-health-podcasts-silence-in-sikeston-shortwave/ Mon, 06 Jan 2025 10:00:00 +0000 /?post_type=article&p=1964140 Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony and Emily Kwong, host of NPR’s podcast “,” talk about Black families living in the aftermath of lynchings and police killings in their communities. Anthony shares her southeastern Missouri-based reporting from “Silence in Sikeston,” a documentary film, podcast, and print reporting project. She discusses the latest research on the health effects of racism and violence, including the emerging, controversial field of epigenetics.

Hear the full podcast episodes Anthony and Kwong reference from “Silence in Sikeston” here. They discuss material from Episode 1, “Racism Can Make You Sick”; Episode 2, “Hush, Fix Your Face”; and Episode 3, “Trauma Lives in the Body.”

In 1942, Mable Cook was a teenager. She was standing on her front porch when she witnessed the lynching of Cleo Wright.

In the aftermath, Cook received advice from her father that was intended to keep her safe.

“He didn’t want us talking about it,” Cook said. “He told us to forget it.”

More than 80 years later, residents of Sikeston, Missouri, still find it difficult to talk about the lynching.

Conversations with Cook, who was one of the few remaining witnesses of the lynching, launch a discussion of the health consequences of racism and violence in the United States. Racial equity scholar Keisha Bentley-Edwards explains the physical, mental, and emotional burdens on Sikeston residents and Black Americans in general.

“Oftentimes, people who experience racial trauma are forced to not acknowledge it,” Bentley-Edwards said. “They’re forced to question whether or not it happened in the first place.”

When Anthony uncovered details of a police killing in her own family while reporting this project, she unpacked her family’s story with Aiesha Lee, a licensed professional counselor and an assistant professor at Penn State.

“This pain has compounded over generations,” Lee said. “We’re going to have to deconstruct it or heal it over generations.”

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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Journalists Reflect on Trump Picks, Racism and Public Health, and Unnecessary Dental Implants /news/article/on-air-november-23-2024-oz-rfk-sikeston-debt/ Sat, 23 Nov 2024 10:00:00 +0000 /?p=1946608&post_type=article&preview_id=1946608 Ñî¹óåú´«Ã½Ò•îl Health News chief Washington correspondent Julie Rovner discussed President-elect Donald Trump’s announcement that he will nominate former TV host Mehmet Oz to lead the Centers for Medicare & Medicaid Services on WBUR’s “Here & Now” on Nov. 20. Rovner also discussed what it could mean for Robert F. Kennedy Jr. to run the Department of Health and Human ServicesÌýon NPR’s “All Things Considered” on Nov. 15.

Ñî¹óåú´«Ã½Ò•îl Health News correspondent Cara Anthony discussed the “Silence in Sikeston” project on St. Louis Public Radio’s “St. Louis on the Air” on Nov. 19.

Ñî¹óåú´«Ã½Ò•îl Health News senior correspondent Noam N. Levey discussed medical debt on The Pew Charitable Trusts’ podcast “After the Fact” on Nov. 15.

  • Read Ñî¹óåú´«Ã½Ò•îl Health News’ ongoing series “Diagnosis: Debt

Ñî¹óåú´«Ã½Ò•îl Health News contributor Andy Miller discussed dental implants on WUGA’s “The Georgia Health Report” on Nov. 15.

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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An Arm and a Leg: Can Racism Make You Sick?Ìý /news/podcast/can-racism-make-you-sick/ Tue, 29 Oct 2024 09:00:00 +0000 /?p=1933554&post_type=podcast&preview_id=1933554 For the past four years, journalist Cara Anthony, a Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent, has been reporting on the public health effects of racism, violence, and intergenerational trauma in a small Missouri town. The result: a new documentary and podcast series called “Silence in Sikeston.”Ìý

Cara Anthony sits down with “An Arm and a Leg” host Dan Weissmann to talk about the health effects of breaking silence and how it could help heal intergenerational trauma.ÌýÌý

Dan Weissmann Host and producer of "An Arm and a Leg." Previously, Dan was a staff reporter for Marketplace and Chicago's WBEZ. His work also appears on All Things Considered, Marketplace, the BBC, 99 Percent Invisible, and Reveal, from the Center for Investigative Reporting.

Credits

Emily Pisacreta Producer Adam Raymonda Audio wizard Ellen Weiss Editor Click to open the Transcript Transcript: Can Racism Make You Sick?Ìý

Note: “An Arm and a Leg” uses speech-recognition software to generate transcripts, which may contain errors. Please use the transcript as a tool but check the corresponding audio before quoting the podcast.

Dan Weissmann: Hey there. We’re doing something a little different this time. This story is not about the cost of healthcare, not in dollars and cents, and it’s actually not about doctors or hospitals or medicines, but it’s a story about health and about sickness and injury and about how people can care for each other and help each other heal.

And, I will tell you, it is a tough story. This is a story about racism, violence, and ongoing intergenerational trauma. So, you know, however you might need to take care of yourself around a story like this, I want you to do that. But this is a story I’ve been hearing about and looking forward to talking about for years.

Cara Anthony is a Midwest correspondent with our partners at Ñî¹óåú´«Ã½Ò•îl Health News, and she’s been working on a documentary and a podcast about this story since 2020. And now her work, Silence in Sikeston, it’s out in the world. PBS aired the documentary in September and the fourth and final podcast episode came out just last week.

They connect the stories of two young Black fathers who were killed in the small town of Sikeston, Missouri, almost 80 years apart. Cleo Wright was lynched by a white mob in 1942. They dragged him from the jail to the Black section of town, and they doused his body with gasoline and lit the fire in front of a church on a Sunday morning.

In 2020. Denzel Taylor was killed by Sikeston police, he was unarmed. Police fired at least 18 shots. So the podcast Silence in Sikeston, it explores racism, violence, and systemic bias as public health problems, literally making people sick across whole communities and across generations. And it asks, among other things, can breaking silences be healing?

This is “An Arm and a Leg,” and usually it’s a show about why healthcare costs so freaking much and what we can maybe do about it. I’m Dan Weissmann. I’m a reporter. I’m thankful to get to talk with Cara Anthony about her work. Cara, thank you so much for joining us.

Cara Anthony: Thanks for having me, Dan.

Dan Weissmann: My pleasure. How, how did you become aware of these stories and how did you decide to pursue them?

Cara Anthony: In 2020, I was sitting on my couch, watching the world erupt, you know, watching what was happening to George Floyd in Minneapolis. And I really wanted to join the conversation that was happening. And I decided, you know what? While the world was paying attention to Minnesota at that time, I knew that there were other stories out there. And so, I’m a Midwest correspondent for Ñî¹óåú´«Ã½Ò•îl Health News. And I thought I should take a look at what’s going on in Missouri. And I decided really to look at rural Missouri and Black communities in rural Missouri and kind of stumbled upon a part of the state known as the Boot Heel. That’s Southeast Missouri. It’s called the Boot Heel because that part of Missouri kind of sticks out like a boot and um, ended up in Sikeston, made a call in 2020 to the city’s first Black clerk there. And she said, look, if you want to know what it’s like to be Black in the Boot Heel, you need to have a conversation with my grandmother, Mabel Cook. And I said, okay, you know, pitched it to my editors. I thought it would maybe be a 900 word story and it ended up being a four year journey. And here we are now.

Dan Weissmann: Wow. Okay. How did you pitch this story initially? I mean, you are working then as now for Ñî¹óåú´«Ã½Ò•îl Health News. How did you pitch this story? ‘Like, well, so here’s a health story.’ How was that part of the pitch?

Cara Anthony: Yeah, I mean, I told my editor, look, the whole country is looking at police violence and police killings, but also I knew that our country had lived through a lynching era, and I just said, look, I want to write a story about racial trauma. You know, at the time I was looking for signs of like PTSD and people who were still living there and had witnessed this lynching that happened in 1942. And my editor you know, at first she was like, okay, you know, go ahead. Why don’t you go down there and see what you can find? And the more I started talking to people, the more I realized that this informed their lives, how they related to each other, how they related to even law enforcement today, and that’s when I decided, ‘you know what? This isn’t just a story about history, but rather we need to look at police killings and police violence today.’ And that’s when I decided to look into the story of Denzel Taylor.

Dan Weissmann: And so his story, his death had happened just a few months before you made your first phone call to Sikeston. It didn’t become part of your reporting project until later.

Cara Anthony: There were a few local news headlines about what happened to Denzel, but mostly, you know, people ignored it. There was a lot of silence around his death as well. And that’s largely because, Dan, people don’t – and still today – people don’t feel comfortable talking about this stuff. It’s hard. Um, for some people they feel as though their, their lives could be in jeopardy. A part of the reason why we call it Silence in Sikeston, you know – at first I was calling it, you know, Black in the Boot Heel. I thought that’s a clever name. And then I thought that’s, that’s just wrong. This is deeper. People are holding in stories and I’m getting more no’s than I am yeses. And I said, you know, I just told my editor, I said, we have to call this Silence in Sikeston.

Dan Weissmann: Like, what reasons did people give for not wanting to talk to you? Why, and, and beyond what people said, like, why do you think so many people didn’t want to talk to you?

Cara Anthony: You know, I think there’s a huge fear still. You know, Sikeston is a town of roughly 16,000 people. And, I mean, if you know small town politics, you understand what it’s like to be in a smaller city. Everybody knows everybody, right? Also damage had been done there before I arrived and decided to start, you know, asking questions and wanting to tell stories. People really feared retaliation because of racial trauma and because they didn’t want their family member to be next. You also have just the weight of what happened to Cleo, right? You know, this is a Black man who was lynched on a Sunday morning in front of the entire community. You know, they drug Cleo Wright to the Black section of town to make a point. That is something that sticks with you. So Black people had their reasons for not wanting to talk other stories, you know, um, things that had happened within the Black community that made them fearful, but also, you know, white residents in town didn’t want the city to look bad. Every town has secrets and, um, some of these secrets need to be unearthed and discussed because, um, they can make you sick if not.

Dan Weissmann: Yeah, we’ll get right to that. What did you learn about the health costs of living with violence in silence?

Cara Anthony: In episode three of the podcast, we talk about something called anticipatory stress, which means like you’re always waiting for the other shoe to drop. So maybe you know, the next generation, they’re like, okay, we’re okay.

Y’all are, you know, we’re new here. Um, but then you have your mothers and fathers and grandmothers who are worried about, well, we want to keep you safe and that is stressful. And we know that, uh, stress can wreak havoc on your body. You could start to see the physical manifestations of that show up as cancer, show up as diabetes, show up with heart issues, anxiety, depression, the list goes on and on. You can even become suicidal. That is hard to say, but when you feel like you have no one to talk to, it’s a terribly isolating feeling, Dan.

And as I kept talking to people in Sikeston that anticipatory stress, that kept coming up.

Dan Weissmann: The anticipatory stress kept coming up. Like what did people say?

Cara Anthony: I mean, mothers were genuinely concerned, genuinely concerned about their children, especially when we think about police violence and police killings. Now in 2020, Denzel Taylor was a young Black father who was shot and killed by Sikeston PD. And even though people really didn’t talk about it openly, the body cam footage appeared on Facebook. People did trade around the video and saw what happened. People whispered about it in the same way people whispered about what happened to Cleo Wright when he was lynched in 1942. And so, they were concerned. I don’t want that to be me. I don’t want that to be my child or grandchild. and this is not just a story that is unique to Sikeston. And let me say that, you know, police violence is is everywhere. Police killings occur across this country. You know, and back in 2020, there was a stat out there that said that Black men had a one in 1000 chance of being killed by the police. And so yeah, anticipatory stress is a huge issue that kept coming up in the reporting and one that we should be talking about even more.

Dan Weissmann: Coming up: As Cara Anthony reported on Silence in Sikeston, her dad broke a long silence of his own. That’s next.

An Arm and a Leg is a co-production of Public Road Productions and Ñî¹óåú´«Ã½Ò•îl Health News. That’s a national, nonprofit newsroom that produces in-depth journalism about health issues — including Cara Anthony’s “Silence in Sikeston.” Now, back to my interview with Cara Anthony about her work.

Dan Weissmann: One thing you do in the podcast is you, um, explore how some of these questions have come up in your own family. And you bring us some intimate conversations and some really tough conversations. Um, what, especially, as you were reporting this story, your dad broke a silence of his own to you. Um, it turned out that years before you started this reporting, he had looked into the death of his own uncle, Leemon, because he’d had a sense, your dad, that the stories he’d gotten from the family weren’t the whole story. And after you had started reporting the story, he showed you what he’d found. You sat together in his home office, and he showed you his uncle’s death certificate saying Leemon Anthony was shot by police and lists the cause of his death as homicide, but nobody was charged with a crime.

Wilbon Anthony: It says, shot by police or resisting arrest. Well, no one ever, I never heard this in my, uh, whole life. Then item 21 enlisted causes of death: accidental suicide or homicide? And enlisted that item as homicide.

Cara Anthony: Okay. Okay. Um, that’s a lot. I need to pause.

Dan Weissmann: So you let us hear your response to that and saying ‘that’s a lot.’ And then you let us hear the click of a tape recorder stopping. Can you tell us more about that moment and what happened next for you?

Cara Anthony: Yeah. I mean, look, my uncle was killed by the police in 1946 in West Tennessee. For most of my father’s life and also mine we were told that he was killed in a wagon and mule accident. You know, and so hearing the facts around what happened to him seeing my dad pull up what I would call almost like a pain diary that was just sitting on his desktop of his computer, where he was just filing away things, collecting things, newspaper clippings, Leemon’s death certificate. Um, there’s a lot to take in in that moment, and I’m still grappling with that and what that means, and how I will even share that story with my daughter one day. But yeah, it’s a ton of process and our family is still processing it. You know, I think the next step for us is trying to go and find where Leemon Anthony is buried in Tennessee for some closure now that we know what actually happened to him.

Dan Weissmann: Why do you think your dad chose that moment to share what he learned with you?

Cara Anthony: He saw me, you know, diving into these stories in Sikeston and I don’t know if he always thought that I was particularly interested in our family story, if I cared, you know, um, we would go to family reunions and I was a kid, you know, so I would want to go out and go bowling or go to the arcade or do whatever my younger cousins were doing. And I heard whispers of people talking about Leemon at family reunions, but I never really stopped to pay attention. And I think as he saw me traveling back and forth to Sikeston and bringing home these stories – because we lived together while I was reporting this out– I think he really saw it as an opportunity for us to have a difficult conversation about our family’s history and our family’s story. And I’m really glad that he did because it changed even my reporting approach once I realized what my dad was keeping to himself for all these years.

Dan Weissmann: Has there been a change in your relationship with your dad?

Cara Anthony: Yeah we’re talking about more and same goes for my mom. You know, my mom just called me last night with a story, because she, we took a family trip down to Sikeston, um, about a year and a half into my reporting and my parents grew up in the rural South. And so I said, well, let’s stop at a cotton field, you know, wouldn’t that be fun? And they’re just like, ‘okay.’ You know being a Black American, I understand that cotton was weaponized and, you know, my enslaved ancestors received nothing for their labor. Now I’m totally aware of that, but I had never been to a cotton field and I thought it would be a good field trip for my daughter and, you know, my mom and I were talking about that last night and she said, well, did you know that, um, sometimes my grandfather when it was cold outside, he would chop down the entire stock of cotton and bring it inside of our home and place it in front of our wood burning stove so that we could pick cotton inside of our house so that we wouldn’t be too cold, you know, um, during the winter months and I’m just like ‘what?’ It’s like she’s been working like she was a grown woman since she was an elementary school student. And that was really hard for me to think about, to process. I was really sad when she shared that story with me. I realized that it informed how she raised me and my siblings and even how she interacts with my daughter. And so, I was grateful, but also just emotionally devastated because these are absolutely necessary conversations and I always think about now, like, what if I hadn’t raised my hand to go to Sikeston? Would I have missed all of this? So I’m really grateful and thankful that they’re now opening up and sharing these stories as tragic and as horrific as they may be. These are necessary conversations.

Dan Weissmann: You’ve mentioned here and you mentioned in the podcast that you have a kind of ongoing inner conversation with yourself about as a parent, how do you share and when do you share, um, these stories with your daughter. You hear a conversation that you have with your daughter that’s, you know, I think an example of aiming to, um, create space for closer communication. I’ll play it here.

Cara Anthony: Sit over, come over here, come over here, seriously, do you remember a couple of weeks ago when you were crying and I told you to fix your what?

Lily: Face.

Cara Anthony: That wasn’t very nice. I want you to know that we. Can talk about things, because when we talk about things, we often feel better, right?

Lily: Yes.

Cara Anthony: Can we keep talking to each other while you grow up, in life, about stuff, even hard stuff?

Lily: Like, doing 100 math facts?

Cara Anthony: Sure. That’s the biggest thing in your life right now, but yes, all of that. We’re just going to keep talking to each other. So can we make a promise?

Lily: Yeah.

Dan Weissmann: It’s such a lovely conversation and you choose to end that second episode with that. Why is that the end of that episode?

Cara Anthony: First of all, I just want to point out that I hope everyone heard like the hesitation in my daughter’s voice when I said, can we make a promise, like building trust is like so important and I think we ended the episode that way, partly because Lily represents the next generation that will come up and, and lead us, but also because it’s just raw and real. And I don’t want my daughter to ‘hush and fix her face,’ but rather to express her emotions, say what’s wrong if something’s wrong. And so we wanted people to feel the authenticity of that moment and to have people understand that it starts young and it starts now. And I’m not going to get it right all of the time, but a professor who’s in that episode. Her name is Aiesha Lee. She’s at Penn State University.

And one of the quotes that she gives us is so profound where she says, and I’m paraphrasing a little here but she says like, each generation has like a piece of the work to do because these issues and problems have compounded over generations, over time. And so, you know, even a small conversation like that and what we’re doing now here, Dan, this is a piece of the work, you know, and if we think about it like that, that really gives me a lot of peace, knowing that, okay, I can’t fix it overnight. I can’t do it all, but I can at least do my part and that’s what we’re trying to do.

Dan Weissmann:Near the end of the documentary, right, there’s — there’s a ceremony, essentially in Sikeston of people filling jars with soil– to the kind of museum and Institution that Bryan Stevenson created in Montgomery, Alabama. It’s called the Legacy Museum, is that right? It connects these hundreds of years of history from enslavement, mass incarceration, including lynching. And there’s an exhibit there, hundreds of jars filled with soil and each one is from a place where lynchings happened. And so here we see people from Sikeston filling jars to send there. As I saw it, you know, in the documentary, the way that scene is presented. You see people smiling. Um, you know, you see people experiencing some kind of satisfaction. Satisfaction is not the right word. I mean what is behind those smiles…

Cara Anthony: It’s redemption. It’s redemption. You know, it’s like, um, early on in the process, I was watching a lot of different, um, TED talks about communities that had similar, you know, racial reckoning experiences. And I ran across one that talked about The three R’s of history, which is, you know, the three R’s are recognize, repair, redeem. You have to recognize what happened, you know, in order to repair it. So you have to say, yes, you are wounded. Now let’s figure out how to fix the wound so that you can have days of redemption and move forward. And that’s really what you saw in that particular scene but that doesn’t mean the work is complete. And there are people that don’t want a marker for Cleo Wright in the city, even today. So let’s not, you know– I just don’t want to paint a picture of perfection or that everything is fine now, because there’s still so much that needs to be done. that’s my biggest thing with this, is that this is a starting point. Um, we’re not at the finish line yet.

Dan Weissmann: Cara, thank you so much.

Cara Anthony: Thank you. [music]

Dan Weissmann: Cara Anthony is Midwest Correspondent for Ñî¹óåú´«Ã½Ò•îl Health News. You can find the documentary Silence in Sikeston on the PBS app, or on YouTube.

Silence in Sikeston, the podcast, is available — wherever you get your podcasts. We’ll have a link wherever you’re listening.

We’ll be back in a few weeks with a story I think you’ll definitely want to hear. Holden Karau has been building a tool that’ll let you use artificial intelligence to write appeals when health insurance denies a claim. Her tool is called Fight Health Insurance, and the slogan is: Make your insurance company cry, too.

That’s next time. Till then, take care of yourself.

This episode of An Arm and a Leg was produced by me, Dan Weissmann, with help from Emily Pisacreta — and edited by Ellen Weiss.

Adam Raymonda is our audio wizard. Our music is by Dave Weiner and Blue Dot Sessions. Gabrielle Healy is our managing editor for audience.

Lynne Johnson is our operations manager. Bea Bosco is our consulting director of operations.

An Arm and a Leg is produced in partnership with Ñî¹óåú´«Ã½Ò•îl Health News. That’s a national newsroom producing in-depth journalism about healthcare in America and a core program at KFF, an independent source of health policy research, polling, and journalism.

Zach Dyer is senior audio producer at Ñî¹óåú´«Ã½Ò•îl Health News. He’s editorial liaison to this show.

And thanks to the Institute for Nonprofit News for serving as our fiscal sponsor. They allow us to accept tax-exempt donations. You can learn more about INN at INN.org.

Finally, thank you to everybody who supports this show financially. You can join in any time at arm and a leg show, dot com, slash: support. Thank you so much for pitching in if you can — and, thanks for listening.

“An Arm and a Leg” is a co-production of Ñî¹óåú´«Ã½Ò•îl Health News and Public Road Productions.

To keep in touch with “An Arm and a Leg,”Ìý. You can alsoÌýfollow the show onÌýÌý²¹²Ô»åÌý³Ù³ó±ð . And if you’ve got stories to tell about the health care system, the producersÌý.

To hear all Ñî¹óåú´«Ã½Ò•îl Health News podcasts, click here.

And subscribe to “An Arm and a Leg” on , , , or wherever you listen to podcasts.

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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Watch: ‘Silence in Sikeston & The Effects of Racial Violence’ /news/article/watch-silence-in-sikeston-health-effects-racial-violence/ Mon, 21 Oct 2024 09:00:00 +0000 /?post_type=article&p=1931290 Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony appeared in a two-part special of Nine PBS’ “Listen, St. Louis with Carol Daniel” to discuss her reporting for the “Silence in Sikeston” project.

The first conversation, which aired Oct. 9, explores the connections between a 1942 lynching and a 2020 police shooting in a rural Missouri community — and what those killings say about the nation’s silencing of racial trauma. The second episode, which premiered Oct. 16, explores the health effects of such trauma with mental health counselor Lekesha Davis.

These conversations stem from the “Silence in Sikeston” multimedia project by Ñî¹óåú´«Ã½Ò•îl Health News, Retro Report, and WORLD, which includes a documentary film, educational videos, digital articles, and a limited-series podcast.

Explore more of the “Silence in Sikeston”project:

LISTEN: The limited-series podcast is available on , , , , or wherever you get your podcasts.

WATCH: The documentary film “Silence in Sikeston,” a co-production of Ñî¹óåú´«Ã½Ò•îl Health News and , is available to stream on , , and the .

READ: Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony wrote an essay about what her reporting for this project helped her learn about her own family’s hidden past.

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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This story can be republished for free (details).

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Watch: ‘Breaking the Silence Is a Step’ — Beyond the Lens of ‘Silence in Sikeston’ /news/article/watch-beyond-the-lens-silence-in-sikeston/ Thu, 10 Oct 2024 09:00:00 +0000 /?post_type=article&p=1928306 Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony took a reporting trip to the small southeastern Missouri city of Sikeston and heard a mention of its hidden past. That led her on a multiyear reporting journey to explore the connections between a 1942 lynching and a 2020 police killing there — and what they say about the nation’s silencing of racial trauma. Along the way, she learned about her own family’s history with such trauma.

This formed the multimedia “Silence in Sikeston” project from Ñî¹óåú´«Ã½Ò•îl Health News, Retro Report, and WORLD as told through a documentary film, educational videos, digital articles, and a limited-series podcast. Hear about Anthony’s journey and join this conversation about the toll of racialized violence on our health and our communities.

Explore more of the “Silence in Sikeston”project:

LISTEN: The limited-series podcast is available on , , , , or wherever you get your podcasts.

WATCH: The documentary film “Silence in Sikeston,” a co-production of Ñî¹óåú´«Ã½Ò•îl Health News and , is now available to stream on , , and the .

READ: Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony wrote an essay about what her reporting for this project helped her learn about her own family’s hidden past.

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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Silence in Sikeston: Is There a Cure for Racism? /news/podcast/is-there-a-cure-for-racism/ Tue, 08 Oct 2024 09:00:00 +0000 /?p=1910343&post_type=podcast&preview_id=1910343 SIKESTON, Mo. — In the summer of 2021, Sikeston residents organized the biggest Juneteenth party in the city’s history. Sikeston police officers came too, both to provide security for the event and to try to build bridges with the community. But after decades of mistrust, some residents questioned their motives.Ìý

In the series finale of the podcast, a confident, outspoken Sikeston teenager shares her feelings in an uncommonly frank conversation with Chief James McMillen, head of Sikeston’s Department of Public Safety, which includes Sikeston police.Ìý

Host Cara Anthony asks what kind of systemic change is possible to reduce the burden of racism on the health of Black Americans. Health equity expert Gail Christopher says it starts with institutional leaders who recognize the problem, measure it, and take concrete steps to change things.Ìý

“It is a process, and it’s not enough to march and get a victory,” Christopher said. “We have to transform the systems of inequity in this country.”Ìý

Host

Cara Anthony Midwest correspondent, Ñî¹óåú´«Ã½Ò•îl Health News Read Cara's stories Cara is an Edward R. Murrow and National Association of Black Journalists award-winning reporter from East St. Louis, Illinois. Her work has appeared in The New York Times, Time magazine, NPR, and other outlets nationwide. Her reporting trip to the Missouri Bootheel in August 2020 launched the “Silence in Sikeston” project. She is a producer on the documentary and the podcast’s host.

In Conversation With …

Gail Christopher Public health leader and health equity expertÌý click to open the transcript Transcript: Is There a Cure for Racism?

Editor’s note: If you are able, we encourage you to listen to the audio of “Silence in Sikeston,” which includes emotion and emphasis not found in the transcript. This transcript, generated using transcription software, has been edited for style and clarity. Please use the transcript as a tool but check the corresponding audio before quoting the podcast.Ìý

[Ambient sounds from Sikeston, Missouri’s 2021 Juneteenth celebration — a DJ making an announcement over funky music, people chatting — begin playing.]Ìý

Cara Anthony: It’s 2021. It’s hot and humid. We’re at a park in the heart of Sunset — Sikeston, Missouri’s historically Black neighborhood.Ìý

Emory: Today is Juneteenth, baby.Ìý

Cara Anthony: The basketball courts are jumping. And old-school funk is blaring from the speakers. Kids are playing.Ìý

Cara Anthony: [Laughter] Are you enjoying the water?ÌýÌý

Cara Anthony: People are lining up for barbecue.Ìý

I’ve been here reporting on the toll racism and violence can take on a community’s health. But today, I’m hoping to capture a little bit of Sikeston’s joy.ÌýÌý

Taneshia Pulley: When I look out to the crowd of my people, I see strength. I see power. I just see all magic.Ìý

Cara Anthony: I drift over to a tent where people are getting their blood pressure, weight, and height checked … health screenings for free.Ìý

Cara Anthony: I’m a journalist.Ìý

Community Health Worker: Ooooh! Hi! Hi!Ìý

Cara Anthony: The ladies working the booth are excited I’m there to report on the event.Ìý

Cara Anthony: OK, and I’m a health journalist.Ìý

Community health worker: Baby, that’s what I told them. Yeah, she healthy. [Laughter]Ìý

[Dramatic instrumental music plays.]Ìý

Cara Anthony: This Juneteenth gathering is happening a little over a year after Sikeston police officers shot and killed 23-year-old Denzel Taylor.Ìý

We made a documentary about Denzel’s death and the death of another young Black man — also killed in Sikeston.Ìý

Denzel was shot by police. Nearly 80 years earlier, Cleo Wright was lynched by a white mob.Ìý

Both were killed before they got their day in court.Ìý

In these years of reporting, what I’ve found is that many Black families worry that their kids don’t have an equal chance of growing up healthy and safe in Sikeston.Ìý

[Dramatic instrumental ends.]Ìý

Rosemary Owens: Being Black in the Bootheel can get you killed at any age.Ìý

Cara Anthony: That’s Rosemary Owens. She raised her children here in Southeast Missouri.Ìý

Cara Anthony: About 10 Sikeston police officers showed up to Juneteenth — for security and to connect with the community. Some are in uniform; some are in plain clothes.Ìý

Rosemary has her doubts about why they came today.Ìý

Cara Anthony: You see the police chief talking to people. What’s going through your mind as you see them milling about?Ìý

Rosemary Owens: I hope they are real and wanting to close the gap between the African Americans and the white people.Ìý

Anybody can come out and shake hands. But at the end of the day, did you mean what you said? Because things are still going on here in Sikeston, Missouri.Ìý

Cara Anthony: For Rosemary, this brings to mind an encounter with the police from years ago.Ìý

[Slow, minor, instrumental music plays softly.]Ìý

When her son was maybe 16 years old, she says, she and her sister gave their boys the keys to their new cars — told them they could hang out in them.Ìý

Rosemary had gotten her new car for Mother’s Day.Ìý

Rosemary Owens: A brand-new red Dodge Caravan. We, we knew the boys were just going from the van to the car. You know, just showing out — they were boys. They weren’t driving.Ìý

Cara Anthony: Someone nearby saw the boys …ÌýÌý

Rosemary Owens: … called and told the police that two Black men were robbing cars.Ìý

ÌýWhen the boys saw the police come up, there was three police cars. So they were like, something’s going on. So their intention, they were like, they were trying to run to us. And my brother said, stop. When they looked back, when the police got out of the car, they already had their guns drawn on my son and my nephew.ÌýÌýCara Anthony: That’s what Rosemary thinks about when she sees Sikeston police at Juneteenth.Ìý

[Slow, minor, instrumental music ends.]Ìý

[“Silence in Sikeston” theme song plays.]ÌýÌýCara Anthony: In this podcast series, we’ve talked about some of the ways racism makes Black people sick. But Juneteenth has me thinking about how we get free — how we STOP racism from making us sick.Ìý

The public health experts say it’s going to take systemwide, institutional change.Ìý

In this episode, we’re going to examine what that community-level change looks like — or at least what it looks like to make a start.Ìý

From WORLD Channel and Ñî¹óåú´«Ã½Ò•îl Health News, distributed by PRX, this is “Silence in Sikeston.”Ìý

Episode 4 is our final episode: “Is There a Cure for Racism?”Ìý

[“Silence in Sikeston” theme song ends.]Ìý

James McMillen: How you doing?Ìý

Juneteenth celebration attendee: Good. Good.ÌýÌý

James McMillen: Good to see you, man.ÌýÌý

Juneteenth celebration attendee: What’s up? How are you? ÌýÌý

Cara Anthony: When I spot Sikeston’s director of public safety in his cowboy hat, sipping soda from a can, I head over to talk.ÌýÌýJames McMillen: Well, you know, I just, I, I’m glad to be … on the inside of this.Ìý

Cara Anthony: James McMillen leads the police department. He says he made it a point to come to Juneteenth. And he encouraged his officers to come, too.Ìý

James McMillen: I remember as being a young officer coming to work here, not knowing anybody, driving by a park and seeing several Black people out there. And I remember feeling, you know, somewhat intimidated by that. And I don’t really know why.Ìý

I hadn’t always been, um, that active in the community. And, um, I, I have been the last several years and I’m just wanting to teach officers to do the same thing.Ìý

Cara Anthony: The chief told me showing up was part of his department’s efforts to repair relations with Sikeston’s Black residents.Ìý

James McMillen: What’s important about this is, being out here and actually knowing people, I think it builds that trust that we need to have to prevent and solve crimes.Ìý

Cara Anthony: A few minutes into our conversation, I notice a teenager and her friend nearby, listening.Ìý

Cara Anthony: Yeah, we have two people who are watching us pretty closely. Come over here. Come over here. Tell us your names.Ìý

Lauren: My name is Lauren.Ìý

Michaiahes: My name is Michaiahes.Ìý

Cara Anthony: Yeah. And what are you all … ?Ìý

James McMillen: I saw you over there.Ìý

Cara Anthony: So, what do you think about all of this?ÌýÌý

Michaiahes: Personally, I don’t even know who this is because I don’t mess with police because, because of what’s happened in the past with the police. But, um …Ìý

Cara Anthony: As she starts to trail off, I encourage her to keep going.Ìý

Cara Anthony: He’s right here. He’s in charge of all of those people.Ìý

Michaiahes: Well, in my opinion, y’all should start caring about the community more.Ìý

Cara Anthony: What are you hearing? She’s speaking from the heart here, Chief. What are you hearing?Ìý

James McMillen: Well, you know what? I agree with everything she said there.Ìý

Cara Anthony: She’s confident now, looking the chief in the eye.Ìý

Michaiahes: And let’s just be honest: Some of these police officers don’t even want to be here today. They’re just here to think they’re doing something for the community.Ìý

James McMillen: Let’s be honest. Some of these are assumptions that y’all are making about police that y’all don’t really know.Ìý

[Subtle propulsive music begins playing.]Ìý

Michaiahes: If we seen you protecting community, if we seen you doing what you supposed to do, then we wouldn’t have these assumptions about you.Ìý

James McMillen: I just want to say that people are individuals. We have supervisors that try to keep them to hold a standard. And you shouldn’t judge the whole department, but, but just don’t judge the whole department off of a few. No more than I should judge the whole community off of a few.Ìý

Cara Anthony: But here’s the thing … in our conversations over the years, Chief McMillen has been candid with me about how, as a rookie cop, he had judged Sikeston’s Black residents based on interactions with just a few.Ìý

James McMillen: Some of, um, my first calls in the Black community were dealing with, obviously, criminals, you know? So if first impressions mean anything, that one set a bad one. I had, um, really unfairly judging the whole community based on the few interactions that I had, again, with majority of criminals.Ìý

Cara Anthony: The chief says he’s moved past that way of thinking and he’s trying to help his officers move past their assumptions.Ìý

And he told me about other things he wants to do …ÌýÌý

Hire more Black officers. Invest in racial-bias awareness education for the department. And open up more lines of communication with the community.Ìý

James McMillen: I know that we are not going to see progress or we’re not going to see success without a little bit of pain and discomfort on our part.Ìý

Cara Anthony: I don’t think I’ve ever heard the chief use the term institutional change, but the promises and the plans he’s making sound like steps in that direction.Ìý

Except … here’s something else the chief says he wants …ÌýÌý

[Subtle propulsive music ends with a flourish.]Ìý

James McMillen: As a police officer, I would like to hear more people talk about, um, just complying with the officer.Ìý

Cara Anthony: That phrase is chilling to me.Ìý

[Quiet, dark music starts playing.]Ìý

When I hear “just comply” … a litany of names cross my mind.Ìý

Philando Castile.Ìý

Sonya Massey.Ìý

Tyre Nichols.Ìý

Cara Anthony: After Denzel Taylor was killed, people felt unsafe. I talked to a lot of residents on the record about them feeling like they didn’t know if they could be next.Ìý

One thing that you told me was, like, well, one thing that people can do is comply with the officers, you know, if they find themselves having an interaction with law enforcement.Ìý

James McMillen: Well, I mean, I think that’s, that’s a good idea to do.Ìý

And if the person is not complying, that officer has got to be thinking, is this person trying to hurt me? So, asking people to comply with the officer’s command — that’s a reasonable statement.Ìý

Cara Anthony: But, it’s well documented: Black Americans are more likely than our white peers to be perceived as dangerous by police.Ìý

That perception increases the chances we’ll be the victim of deadly force. Whether we comply — or not.Ìý

[Quiet, dark music ends.]Ìý

That’s all to say … even with the promise of more Black officers in Sikeston and all the chief’s other plans, I’m not sure institutional change in policing is coming soon to Sikeston.Ìý

[Sparse electronic music starts playing.]Ìý

Cara Anthony: I took that worry to Gail Christopher. She has spent her long career trying to address the causes of institutional racism.Ìý

Cara Anthony: We’ve been calling most of our guests by their first name, but what’s your preference? I don’t want to get in trouble with my mom on this, you know? [Cara laughs.]Ìý

Gail Christopher: If you don’t mind, Dr. Christopher is good.Ìý

Cara Anthony: OK. All right. That sounds good. I’m glad I asked.Ìý

Cara Anthony: Dr. Christopher thinks a lot about the connections between race and health. And she’s executive director of the National Collaborative for Health Equity. Her nonprofit designs strategies for social change.Ìý

She says the way to think about starting to fix structural racism … is to think about the future.Ìý

Gail Christopher: What do you want for your daughter? What do I want for my children? I want them not to have interactions with the police, No. 1, right?Ìý

Uh, so I want them to have safe places to be, to play, to be educated … equal access to the opportunity to be healthy.Ìý

Cara Anthony: But I wonder if that future is even possible.Ìý

[Sparse electronic music ends.]Ìý

Cara Anthony: Is there a cure for racism? And I know it’s not that simple, but is there a cure?Ìý

Gail Christopher: I love the question, right? And my answer to you would be yes. It is a process, and it’s not enough to march and get a victory. We have to transform the systems of inequity in this country.Ìý

Cara Anthony: And Dr. Christopher says it is possible. Because racism is a belief system.Ìý

[Hopeful instrumental music plays.]Ìý

Gail Christopher: There is a methodology that’s grounded in psychological research and social science for altering our beliefs and subsequently altering our behaviors that are driven by those beliefs.Ìý

Cara Anthony: To get there, she says, institutions need a rigorous commitment to look closely at what they are doing — and the outcomes they’re creating.Ìý

Gail Christopher: Data tracking and monitoring and being accountable for what’s going on.Ìý

We can’t solve a problem if we don’t admit that it exists.Ìý

Cara Anthony: One of her favorite examples of what it looks like to make a start toward systemic change comes from the health care world.Ìý

I know we’ve been talking about policing so far, but — bear with me here — we’re going to pivot to another way institutional bias kills people.Ìý

A few years ago, a team of researchers at the Brigham and Women’s Hospital in Boston reviewed admission records for patients with heart failure. They found that Black and Latinx people were less likely than white patients to be admitted to specialized cardiology units.Ìý

Gail Christopher: Without calling people racist, they saw the absolute data that showed that, wait a minute, we’re sending the white people to get the specialty care and we’re not sending the people of color.Ìý

Cara Anthony: So, Brigham and Women’s launched a pilot program.Ìý

When a doctor requests a bed for a Black or Latinx patient with heart failure, the computer system notifies them that, historically, Black and Latinx patients haven’t had equal access to specialty care.Ìý

The computer system then recommends the patient be admitted to the cardiology unit. It’s still up to the doctor to actually do that.Ìý

The hard data’s not published yet, but we checked in with the hospital, and they say the program seems to be making a difference.Ìý

Gail Christopher: It starts with leadership. Someone in that system has the authority and makes the decision to hold themselves accountable for new results.Ìý

[Hopeful instrumental music ends.]Ìý

Cara Anthony: OK, so it could be working at a hospital. Let’s shift back to policing now.Ìý

Gail Christopher: There should be an accountability board in that community, a citizens’ accountability board, where they are setting measurable and achievable goals and they are holding that police department accountable for achieving those goals.Ìý

Cara Anthony: But, like, do Black people have to participate in this? Because we’re tired.Ìý

Gail Christopher: Listen, do I know that we’re tired! Am I tired? After 50 years? Uh, I think that there is work that all people have to do. This business of learning to see ourselves in one another, to be fully human — it’s all of our work.Ìý

[Warm, optimistic instrumental music plays.]Ìý

Now, does that preclude checking out at times and taking care of yourself? I can’t tell you how many people my age who are no longer alive today, who were my colleagues and friends in the movement. But they died prematurely because of this lack of permission to take care of ourselves.Ìý

Cara Anthony: Rest when you need to, she says, but keep going.Ìý

Gail Christopher: We have to do that because it is our injury. It is our pain. And I think we have the stamina and the desire to see it change.Ìý

Cara Anthony: Yep. Heard. It’s all of our work.Ìý

Dr. Christopher has me thinking about all the Black people in Sikeston who aren’t sitting around waiting for someone else to change the institutions that are hurting them.Ìý

People protested when Denzel Taylor was killed even with all the pressure to stay quiet about it.Ìý

Protesters: Justice for Denzel on 3. 1, 2, 3 … Justice for Denzel! Again! 1, 2, 3 …Ìý Justice for Denzel!Ìý

Cara Anthony: And I’m thinking about the people who were living in the Sunset neighborhood of Sikeston in 1942 when Cleo Wright was lynched.Ìý

Harry Howard: They picked up rocks and bricks and crowbars and just anything to protect our community.Ìý

Cara Anthony: And Sunset did not burn.Ìý

[Warm, optimistic instrumental music begins fading out.]Ìý

[Piano starts warming up.]Ìý

Cara Anthony: After nearly 80 years of mostly staying quiet about Cleo’s lynching, Sikeston residents organized a service to mark what happened to him — and their community.Ìý

Reverend: We are so honored and humbled to be the host church this evening for the remembrance and reconciliation service of Mr. Cleo Wright.Ìý

[Piano plays along with Pershard singing.]Ìý

Pershard Owens: [Singing] It’s been a long, long time coming, but I know a change gonna come, oh yes it will. It’s been too hard a-livin but I’m afraid to die and I don’t know what’s up next, beyond the sky …Ìý

[Pershard singing and piano accompaniment fade out.]Ìý

Cara Anthony: I want to introduce you to that guy who was just singing then. His name is Pershard Owens.Ìý

Remember Rosemary Owens? The woman who told us about someone calling the police on her son and nephew when they were playing with their parents’ new cars? Pershard is Rosemary’s younger son.Ìý

Pershard Owens: Yeah, I definitely remember that.Ìý

Cara Anthony: Even after all this time, other people didn’t want to talk to us about it. We couldn’t find news coverage of the incident. But Pershard remembers. He was in his weekly karate practice when it happened. He was 10 or 11 years old.Ìý

Pershard Owens: My brother and cousin were, like, they were teens. So what do you think people are going to feel about the police when they do that, no questions asked, just guns drawn?Ìý

Cara Anthony: Pershard’s dad works as a police officer on a different police force in the Bootheel. Pershard knows police. But that didn’t make it any less scary for him.Ìý

Pershard Owens: You know, my parents still had to sit us down and talk and be like, “Hey, this is, that’s not OK, but you can’t, you can’t be a victim. You can’t be upset.” That’s how I was taught. So we acknowledge the past. But we don’t, we don’t stay down.Ìý

Cara Anthony: So years later, when Chief James McMillen started a program as a more formal way for people in Sikeston and the police to build better relationships, Pershard signed up. They started meeting in 2020.Ìý

The group is called Police and Community Together, or PACT for short.Ìý

ÌýÌý[Sparse, tentative music begins playing.]Ìý

Pershard Owens: It was a little tense that first couple of meetings because nobody knew what it was going to be.Ìý

Cara Anthony: This was only five months after Sikeston police killed Denzel Taylor.Ìý

PACT is not a citizens’ accountability board. The police don’t have to answer to it.Ìý

The committee met every month. For a while. But they haven’t met in over a year now.Ìý

Pershard Owens: We would have steps forward and then we would have three steps back.Ìý

Cara Anthony: People have different accounts for why that is. Busy schedules. Mutual suspicion. Other things police officers have done that shook the trust of Black residents in Sikeston.Ìý

Pershard Owens: And people were like, bro, like, how can you work with these people?Ìý

The community is like, I can’t fully get behind it because I know what you did to my little cousin and them. Like, I know what the department did back in, you know, 15 years ago, and it’s hard to get past that.Ìý

So, I mean, I’m getting both sides, like, constantly, and listen, that is, that is tough.Ìý

[Sparse, tentative music ends.]Ìý

Cara Anthony: But Pershard says something important changed because he started working with PACT.Ìý

Pershard Owens: Chief did not like me at first [Pershard laughs]. He did not.Ìý

Chief didn’t … me and Chief did not see eye to eye. Because he had heard things about me and he — people had told him that I was, I was anti-police and hated police officers, and he came in with a defense up.Ìý

So, it took a minute for me and him to, like, start seeing each other in a different way. But it all happened when we sat down and had a conversation.Ìý

[Slow instrumental music begins playing.]Ìý

Cara Anthony: Just have a conversation. It sounds so simple; you’re probably rolling your eyes right now hearing it.Ìý

But Pershard says … it could be meaningful.Ìý

Pershard Owens: I truly want and believe that we can be together and we can work together and we can have a positive relationship where you see police and y’all dap each other up and y’all legit mean it. I think that can happen, but a lot of people have to change their mindsets.Ìý

Cara Anthony: That’s a challenge Pershard is offering to police AND community members: Have a conversation with someone different from you. See if that changes the way you think about the person you’re talking to. See if it changes your beliefs.Ìý

The more people do that, the more systems can change.Ìý

Pershard Owens: We got to look in the mirror and say, “Am I doing what I can to try and change the dynamic of Sikeston, even if it does hurt?”Ìý

Cara Anthony: Pershard says he’s going to keep putting himself out there. He ran for City Council in 2021. And even though he lost, he says he doesn’t regret it.Ìý

Pershard Owens: When you’re dealing with a place like Sikeston, it’s not going to change overnight.Ìý

Cara Anthony: And he’s glad he worked with PACT. Even if the community dialogue has fizzled for now, he’s pleased with the new relationship he built with Chief McMillen. And all of this has broadened his view of what kind of change is possible.Ìý

[Slow instrumental music ends.]Ìý

Pershard Owens: If you want something that has never been done, you have to go places that you’ve never been.Ìý

[“Silence in Sikeston” theme music plays.]Ìý

Cara Anthony: Places that you’ve never been … stories that you’ve never told out loud … maybe all of that helps build a Sikeston where Black residents can feel safer. Where Black people can live healthier lives.Ìý

A world you might not be able to imagine yet, but one that could exist for the next generation.Ìý

[“Silence in Sikeston” theme music ends.]Ìý

[Upbeat instrumental music plays.]Ìý

Cara Anthony: Thanks for listening to “Silence in Sikeston.”Ìý

Next, go watch the documentary — it’s a joint production from Retro Report and Ñî¹óåú´«Ã½Ò•îl Health News, presented in partnership with WORLD.Ìý

Subscribe to WORLD Channel on YouTube. That’s where you can find the film “Silence in Sikeston,” a Local, USA special.Ìý

If you made it this far, thank you. Let me know how you’re feeling.Ìý

I’d love to hear more about the conversations this podcast has sparked in your life. Leave us a voicemail at (202) 654-1366.Ìý

And thanks to everyone in Sikeston for sharing your stories with us.Ìý

This podcast is a co-production of WORLD Channel and Ñî¹óåú´«Ã½Ò•îl Health News and distributed by PRX.Ìý

It was produced with support from PRX and made possible in part by a grant from the John S. and James L. Knight Foundation.Ìý

This audio series was reported and hosted by me, Cara Anthony.Ìý

Audio production by me, Zach Dyer. And me, Taylor Cook.Ìý

Editing by me, Simone Popperl.Ìý

And me, managing editor Taunya English.Ìý

Sound design, mixing, and original music by me, Lonnie Ro.Ìý

Podcast art design by Colin Mahoney and Tania Castro-Daunais.Ìý

Tarena Lofton and Hannah Norman are engagement and social media producers for the show.Ìý

Oona Zenda and Lydia Zuraw are the landing page designers.Ìý

Lynne Shallcross is the photo editor, with photography from Michael B. Thomas.Ìý

Thank you to vocal coach Viki Merrick.Ìý

And thank you to my parents for all their support over the four years of this project.Ìý

Music in this episode is from Epidemic Sound and Blue Dot Sessions.Ìý

Some of the audio you heard across the podcast is also in the film.Ìý

For that, special thanks to Adam Zletz, Matt Gettemeier, Roger Herr, and Philip Geyelin.Ìý

Kyra Darnton is executive producer at Retro Report.Ìý

I was a producer on the film.Ìý

Jill Rosenbaum directed the documentary.Ìý

Kytja Weir is national editor at Ñî¹óåú´«Ã½Ò•îl Health News.Ìý

WORLD Channel’s editor-in-chief and executive producer is Chris Hastings.Ìý

Help us get the word out about “Silence in Sikeston.” Write a review or give us a quick rating wherever you listen to this podcast.Ìý

Thank you! It makes a difference.Ìý

Oh yeah! And tell your friends in real life too!ÌýÌý

[Upbeat instrumental music ends.]Ìý

Credits

Taunya English Managing editor Taunya is deputy managing editor for broadcast at Ñî¹óåú´«Ã½Ò•îl Health News, where she leads enterprise audio projects. Simone Popperl Line editor Simone is broadcast editor at Ñî¹óåú´«Ã½Ò•îl Health News, where she shapes stories that air on Marketplace, NPR, and CBS News Radio, and she co-manages a national reporting collaborative. Zach Dyer Senior producer Zach is senior producer for audio with Ñî¹óåú´«Ã½Ò•îl Health News, where he supervises all levels of podcast production. Taylor Cook Associate producer Taylor is an independent producer who does research, books guests, contributes writing, and fact-checks episodes for several Ñî¹óåú´«Ã½Ò•îl Health News podcasts. Lonnie Ro Sound designer Lonnie Ro is an audio engineer and a composer who brings audio stories to life through original music and expert sound design for platforms like Spotify, Audible, and Ñî¹óåú´«Ã½Ò•îl Health News.

Additional Newsroom Support

Lynne Shallcross, photo editorOona Zenda, illustrator and web producerLydia Zuraw, web producerTarena Lofton, audience engagement producerÌýHannah Norman, video producer and visual reporterÌýChaseedaw Giles, audience engagement editor and digital strategistKytja Weir, national editorÌýMary Agnes Carey, managing editorÌýAlex Wayne, executive editorDavid Rousseau, publisherÌýTerry Byrne, copy chiefÌýGabe Brison-Trezise, deputy copy chiefÌýTammie Smith, communications officerÌý

The “Silence in Sikeston” podcast is a production of Ñî¹óåú´«Ã½Ò•îl Health News and WORLD. Distributed by PRX. Subscribe and listen on , , Amazon Music, iHeart, or wherever you get your podcasts.

Watch the accompanying documentary from WORLD, Retro Report, and KFF .

To hear other Ñî¹óåú´«Ã½Ò•îl Health News podcasts, click here.

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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Silence in Sikeston: Trauma Lives in the Body /news/podcast/podcast-silence-in-sikeston-episode-3-trauma-lives-in-the-body/ Tue, 01 Oct 2024 09:00:00 +0000 /?p=1909136&post_type=podcast&preview_id=1909136 SIKESTON, Mo. — At age 79, Nannetta Forrest, whose father, Cleo Wright, was lynched in Sikeston, Missouri, before she was born, wonders how the decades-long silence that surrounded his death in 1942 influenced her life.

In 2020, Sikeston police killed another young Black man, 23-year-old Denzel Taylor. Taylor’s shooting death immediately made local headlines, but then the cycle of silence in Sikeston repeated itself.

Host Cara Anthony and pediatrician Rhea Boyd draw health parallels between the loss experienced by two families nearly 80 years apart. In both cases, young daughters were left behind to grapple with unanswered questions and devastating loss.

“Regardless of the age, children experience longing,” Boyd said. “They miss people when they don’t see them again; even babies can experience that.”

[Editor’s note: A swear word is bleeped out in this episode.]

Host

Cara Anthony Midwest correspondent, Ñî¹óåú´«Ã½Ò•îl Health News Read Cara's stories Cara is an Edward R. Murrow and National Association of Black Journalists award-winning reporter from East St. Louis, Illinois. Her work has appeared in The New York Times, Time magazine, NPR, and other outlets nationwide. Her reporting trip to the Missouri Bootheel in August 2020 launched the “Silence in Sikeston” project. She is a producer on the documentary and the podcast’s host.

In Conversation With …

Rhea Boyd Pediatrician and public health scholar click to open the transcript Transcript: Trauma Lives in the Body

Editor’s note: If you are able, we encourage you to listen to the audio of “Silence in Sikeston,” which includes emotion and emphasis not found in the transcript. This transcript, generated using transcription software, has been edited for style and clarity. Please use the transcript as a tool but check the corresponding audio before quoting the podcast.Ìý

[Solemn instrumental music begins playing softly.]Ìý

Cara Anthony: When Nannetta Forrest was growing up, a lot went unsaid in her family.Ìý

Nannetta Forrest: You know, people didn’t do a lot of talking back then. And it was almost like trying to pull teeth out of a hen.Ìý

Cara Anthony: She lived nearly her whole life in Indiana, but Nannetta’s story — the secrets and the silence — all started in Sikeston, Missouri.Ìý

Nannetta was born there in 1942. Several months earlier, while her mother was pregnant, Nannetta’s father was lynched.Ìý

His name … was Cleo Wright.Ìý

Nannetta Forrest: He was taken away before I got here!Ìý

Cara Anthony: Taken from a jail cell. Taken and dragged through the streets by a white mob. Taken to Sunset Addition, the center of Black life in Sikeston, and lynched. Taken from his family.ÌýÌý

Nannetta’s mother kept quiet. She never wanted her daughter to know what happened to her father.Ìý

But one day, Nannetta was with her grandfather. A game show that aired on CBS in the 1950s was on TV. It was called “Strike it Rich.”Ìý

[Clip from “Strike it Rich” begins playing.]Ìý

“Strike It Rich” clip: Mr. “Strike It Rich” himself, Warren Hull. [Applause]Ìý

Nannetta Forrest: Celebrities would go on, and they’d try to win money for, like, underprivileged people.Ìý

“Strike It Rich” clip: Thanks a lot!Ìý

Nannetta Forrest: And that’s when Grandpa told me, he said, “You can go on there, Nan.” And I said, “Go on there with what?” And that’s when he went in his wallet and pulled out this yellow piece of paper.Ìý

[Solemn instrumental music plays.]Ìý

Cara Anthony: It was a newspaper clipping about the lynching of her father.Ìý

Nannetta Forrest: And that was my first time ever becoming aware of it.Ìý

Cara Anthony: It was around 1955. Nannetta was 13 or 14 at the time.Ìý

Nannetta Forrest: I did wanna know the story behind it, what happened, but nobody seemed to wanna talk about it.Ìý

Cara Anthony: Over the years, she pieced together bits of what happened. But there was always one nagging question that didn’t have an answer:Ìý

What would her life have been like if that mob hadn’t lynched her dad?Ìý

Nannetta Forrest: Now, I do often wonder that. Had he been alive when I was born and been in my life, what type of person would I have been? Would I have been the same person? Would I have been a different person? And this is something I’ll never know.Ìý

Cara Anthony: I’m Cara Anthony. I’m a health reporter.Ìý

I’ve traveled to Sikeston, Missouri, for years, asking people about the killing of Cleo Wright — and the silence that surrounds his death.Ìý

Nearly eight decades after the killing, that silence was still stifling. Like generations of stuffed-down fear and anger.Ìý

At nearly every turn, locals refused to talk to me. In fact, many people felt they could not talk to me. Until I met … Mikela Jackson.Ìý

[Solemn instrumental music fades out.]Ìý

Mikela Jackson: It’s … it’s … it’s no healing from grief. It’s an everyday thing for me.Ìý

Cara Anthony: Mikela goes by Keke. She’s in her mid-20s. But she’s heard about the lynching back in 1942.Ìý

Cara Anthony: Talk to me a little bit about that. Have you ever heard of Cleo Wright?Ìý

Mikela Jackson: Denzel brung that up to me. Denzel brung it up to me because we used to live on Sunset Street, and he was telling me, like, they dragged him through Sunset.Ìý

Cara Anthony: “Denzel” is Denzel Taylor, Keke’s fiancé.Ìý

Sikeston police shot him at least 18 times — and killed Denzel in April 2020. He was 23 years old.Ìý

That year, everyone was talking about new research that found that a Black man had a 1-in-1,000 chance of being killed by police.Ìý

Denzel Taylor became that 1 in a thousand.Ìý

[Sparse, minor music plays quietly.]Ìý

Right in the middle of her grief, Keke refused to be quiet.Ìý

Mikela Jackson: The Bootheel knows what happened to him. The world, they have no idea who Denzel Taylor is.Ìý

Cara Anthony: The Bootheel is where Sikeston sits — in the far southeast corner of Missouri.Ìý

Mikela Jackson: So that’s why I want his story … I wanna make him proud, actually. ’Cuz I want him to know, look, Babe, they going to hear this one way or another.ÌýÌýÌý

Cara Anthony: I made a film about the deaths of Denzel and Cleo — two Black men killed decades apart — in the same community.Ìý

For the documentary, we explored questions about the impact of racial trauma and the persistent harm it causes.Ìý

Here, for the podcast, we’re exploring another layer. How does systemic racial violence impact health? The health of Black people, in particular?Ìý

[“Silence in Sikeston” theme begins playing.]Ìý

Denzel’s story reminds me so much of Cleo’s. So many things about their lives — and their deaths — are similar.Ìý

They both left behind a daughter they never got to meet.Ìý

They both were killed by a public health threat of their time.Ìý

A threat to Black men of their time.Ìý

For Cleo, that was lynching.Ìý

For Denzel, it was police violence.Ìý

Neither of them got their day in court.Ìý

In this episode, we’re looking at what happened to Denzel Taylor.Ìý

We’re exploring police violence as a public health problem. One that’s making us sick and cutting lives short.Ìý

From WORLD Channel and Ñî¹óåú´«Ã½Ò•îl Health News, and distributed by PRX, this is “Silence in Sikeston,” the podcast about finding the words to say the things that go unsaid.Ìý

Episode 3: “Trauma Lives in the Body.”ÌýÌý

[“Silence in Sikeston” theme ends.]Ìý

[Gentle, bright instrumental music plays.]Ìý

Cara Anthony: Denzel was from Chicago. Growing up, he spent time in southeastern Missouri with his dad’s family.Ìý

Denzel and Keke met in Sikeston. And Keke says they fell in love immediately.Ìý

Mikela Jackson: It was a butterfly feeling, like you could just tell it was love. It was the best energy ever.ÌýÌý

Cara Anthony: They started their family. De’nia was born first. Denzel used to call her “Cupcake.”Ìý

Denzel Taylor: Hey, Cupcake. Say hey, y’all. I love you, princess. [Baby babbles.]Ìý

Cara Anthony: Aiyana came next. In 2020, Keke was pregnant with their third daughter, Brookelynn.Ìý

Mikela Jackson: He said he wanted seven kids. I said, Denzel, what? He wanted seven kids. That’s a basketball team. I can’t handle that.Ìý

Cara Anthony: They were planning to get married after Brookelynn was born.Ìý

Mikela Jackson: I really wanted a big family with Denzel. I wanted to get married. I wanted to go to D- … We was planning on moving to Dallas and everything and it’s just like, my whole world is just like, it just blew up on me.Ìý

Cara Anthony: Remember 2020? It felt like the news was full of stories about Black people getting killed by police.Ìý

Videos from body cameras were all over social media. Around that same time, Keke remembers Denzel getting pulled over by police more and more.Ìý

And, Keke says, he started to become convinced that someday he might be killed by police too.Ìý

Mikela Jackson: He said if he was to ever get in any type of interaction with the police, he would let them kill him just to show how America is.Ìý

He would bring it up, like, outta nowhere. And he would say it, and I would wonder, like, why is you constantly saying it? And I kind of will get irritated because it’s, like, that’s not a way that I will want you to go out. Like, we’re supposed to grow old together.Ìý

Cara Anthony: On April 29 that year, Denzel’s premonition came true.Ìý

Police body cameras captured what happened the night Denzel was killed.Ìý

You’re about to hear a retelling of what happened the night Denzel died — based on interviews with his family and audio pulled from those body cam videos.Ìý

When I first got the videos, I stared at the attachments in my email for a long time. I didn’t want to look.Ìý

[Soft droning music fades in.]Ìý

But I think it’s important that we do look at what happened. It’s part of what I have to do to examine police killings as a public health threat.Ìý

Denzel was staying with his father and his stepmom.Ìý

[Rain sounds play.]Ìý

It was raining that night. Denzel and his dad, Milton Taylor, were stuck in the house together.Ìý

They got into an argument. Things escalated.ÌýÌý

Denzel’s mom, Jean Kelly, was asleep in Chicago some 400 miles away. In the early hours of the morning, Denzel’s sister ran into her room yelling.Ìý

Jean Kelly: “Mom, wake up.” I said, “What happened?” She said, “Denzel just shot Daddy.” I said, “What? Denzel just shot Daddy? That doesn’t make any sense at all.”Ìý

EMS audio: 49-year-old. Male. Gunshot wound. Two to three shots to the chest. Five officers on scene.Ìý

Cara Anthony: By the time police arrived at Milton’s home, Denzel had left. EMTs stabilized Milton and took him to the hospital.Ìý

EMS audio: We’re running hot. St. Francis. One patient.ÌýÌý

Cara Anthony: Meanwhile, up in Chicago, Jean is trying to figure out what’s going on. She calls Milton’s wife, Denzel’s stepmom.Ìý

Jean Kelly: She said she had a couple of family members out looking for Denzel, you know, because she was saying, “I want them to find him before the police finds him.”Ìý

Cara Anthony: Police are speaking with Denzel’s stepmom when he appears.Ìý

The body-camera video shows the scene from an officer’s perspective.Ìý

[Music fades out.]ÌýÌý

Cara Anthony: By now, it’s stopped raining. A streetlamp lights up the end of the block. Police had wrapped the area in yellow police tape. The camera shows Denzel standing in the near distance on the other side of the yellow tape. He’s wearing a hoodie.Ìý

Officers: Show me your hands now! Take your hand out of your pocket!Ìý

Denzel Taylor: Just kill me, bro.Ìý

Jean Kelly: They were saying, uh, “Put your hands up” or whatever the, the, they said to him, and there was some words exchanged. And, uh, it sounded like he said, “Well, shoot me, bro. Just go ahead, shoot me.”Ìý

Cara Anthony: The officers fire their guns.Ìý

Jean Kelly: They hit my son one time, I believe, if not two, and my son fell. He went, he dropped to his knees and fell face down.Ìý

Cara Anthony: There’s a pause. It’s just a moment or two, but as I watch it, it feels longer.Ìý

And then, the police fire again, sending bullets into his body on the ground. They keep shooting. You can hear dozens of shots.Ìý

Police body cam video: We got shots fired. We need EMS. We got one subject down, shots fired! Hands now! Hands! Hands!Ìý

Cara Anthony: One officer walks up — and uses his foot to roll Denzel the rest of the way onto his stomach. Denzel groans as the officer pins his arms behind his back and handcuffs him.Ìý

[Handcuffs click]ÌýÌý

Cara Anthony: They search his body.ÌýÌý

Police body cam video: Goddamn it.Ìý

Cara Anthony: Police don’t find a gun. Or any weapon. Just a piece of wood in his hoodie pocket.Ìý

Police body cam video: Are you [expletive] serious? He had a [expletive] stick of wood.Ìý

Cara Anthony: Police call for an ambulance.Ìý

EMS audio: … EMS respond to one subject shot. Time of page, 02 36.Ìý

Cara Anthony: On the body camera video, one officer points a flashlight in Denzel’s face.Ìý

Police body cam video: Why didn’t you just take your hand out of your pocket, man?Ìý

Cara Anthony: Minutes tick by. Red and blue police lights flash off the wet pavement. Denzel is still in the street, motionless.Ìý

[Ambulance sirens]Ìý

Cara Anthony: EMS arrive, but it’s too late. Denzel is dead.Ìý

Over the radio, the dispatcher calls for the coroner.Ìý

EMS audio: That’s yes, ma’am. Contact coroner. Ten-four.Ìý

[Somber instrumental music plays softly.]Ìý

Cara Anthony: Keke had been out of town. She got the call as she was driving back to Sikeston. The police had killed Denzel.Ìý

Mikela Jackson: And I said, “No, they did not. No, they did not.” I couldn’t believe it. It was heartbreaking.Ìý

Cara Anthony: A special prosecutor declined to file charges against the police officers who killed Denzel. The officers did not comment for this project. Sikeston Chief of Public Safety James McMillen says the officers believed Denzel was armed and that they were in fear for their life.Ìý

Denzel’s family sued the city of Sikeston. The city and the family reached a wrongful death settlement for $2 million. Close to half of it went to legal fees. Most of the rest of it will go to Denzel’s daughters.Ìý

Keke thinks a lot about how life goes on for the officers who killed Denzel.Ìý

Mikela Jackson: They still get to see their family every single day of their life. They still get to call their daughters. They still get to go home and tuck their kids into bed. Denzel can never do that ever, ever again.Ìý

I’m a forced single parent. I have to push through every single day.Ìý

Keke watched the body cam video over and over. But Denzel’s death just wouldn’t sink in. And she’s worried about their daughters.Ìý

Mikela Jackson: I hope they never see the video ’cause that’s traumatizing. ’Cause that’s their dad.ÌýÌýÌý

Cara Anthony: Eventually, Keke left Sikeston. She says there are too many memories of Denzel and what happened to him there.Ìý

On the day I visited her new home, it was just over a year after Denzel’s death.Ìý

[Cara and Keke laugh together in the background.]Ìý

Two-year-old Aiyana is napping in the next room. Keke has the youngest, Brookelynn, on her lap. And the oldest, De’nia, is … everywhere.Ìý

Right now, she’s zooming through the dining room on a scooter.Ìý

Cara Anthony: She just did, like, a trick, like a BMX. She’s BMXing in this apartment right now. Is she a daredevil?Ìý

Mikela Jackson: She do that all the time. [Laughter] Too much. No. No bike.Ìý

Cara Anthony: Eventually, De’nia parked her wheels and talked to me.Ìý

Cara Anthony: Let’s just get this started. Tell me your name again and how old you are.ÌýÌýÌý

De’nia: Four.ÌýÌý

Cara Anthony: And what is your name?Ìý

De’nia: De’nia.ÌýÌý

Cara Anthony: In my time as a health reporter, I’ve written a lot about the impact gun violence has on kids. I’ve gotten some training in how to talk to them about it on their level — without retraumatizing them.ÌýÌý

Cara Anthony: Your mommy’s sitting here, and she said I have permission to ask you about your daddy.Ìý

De’nia: Daddy?Ìý

Cara Anthony: Do you miss your daddy?Ìý

De’nia: Yes.ÌýÌý

Cara Anthony: Yeah? Where’s your daddy?Ìý

De’nia: I don’t know.Ìý

Cara Anthony: Yeah.ÌýÌýÌý

De’nia: He’s sleeping.ÌýÌýÌý

Cara Anthony: Hmm?ÌýÌýÌý

De’nia: He’s sleeping.ÌýÌýÌý

Cara Anthony: You said he’s sleeping?ÌýÌý

De’nia: Yes.Ìý

Mikela Jackson: That’s what she say. She said, “My daddy’s sleeping.”Ìý

Cara Anthony: De’nia is trying to make sense of why her dad isn’t with them anymore. And Keke doesn’t know what to tell her.ÌýÌýÌý

Mikela Jackson: Like last night she actually woke up out of her sleep and she was crying and she was like, Mama, my daddy. And I didn’t know what to tell her because it’s, like, what do you tell a 4-year-old that they’re never ever going to see their dad again?Ìý

[Subtle instrumental music plays.]Ìý

Cara Anthony: I called a pediatrician, Rhea Boyd, to talk about what losing a parent to police violence could mean for kids like De’nia, Aiyana,  and Brookelynn.Ìý

Rhea Boyd: Regardless of the age, children experience longing. They miss people when they don’t see them again, even babies can experience that.Ìý

Cara Anthony: Losing a parent — especially to violence — can have a major impact on a child’s future health.Ìý

Rhea Boyd: Certain experiences, including the death of a parent, increases a child’s risk for certain physical health ailments, like heart disease, um, kind of neurologic ailments, like increased risk for Alzheimer’s. Mental health impairments, like increased risk for depression. And these are increased risks as they move into adulthood.Ìý

Cara Anthony: Study after study show the link, even though we don’t totally understand all the mechanisms.ÌýÌý

Rhea Boyd: It’s not just innate to our biology. It’s because of the conditions in which Black folks have been forced to live.Ìý

Cara Anthony: Black people in the United States carry more stress throughout their lives than white people. That doesn’t change, even when they make more money.Ìý

Researchers have tied that stress to the racism we deal with in everyday interactions — and to the institutional racism that makes it harder for us to take care of ourselves and our families.Ìý

Black people age faster, get sicker, and die sooner than our white peers — and carrying chronic stress is a factor.Ìý

Rhea says police violence contributes to this, too.Ìý

Rhea Boyd: Police are a public institution. And when they disproportionately take the lives of Black folks, or disproportionately police Black neighborhoods, that has direct impacts on our lives, on our well-being.Ìý

Cara Anthony: Keke says, back when she was living in Sikeston, she felt anxious every time she saw police lights in her rearview mirror.Ìý

[Subtle instrumental music ends.]Ìý

Mikela Jackson: Now, it’s like, OK, here it go again. I’m getting pulled over. Because it, I’m, it’s, I’m used to it at this point. I’m used to it.ÌýÌý

Cara Anthony: Used to it, maybe. But not numb to it.Ìý

Mikela Jackson: I can’t tell my kids, “Hey, don’t be scared when you get pulled over.” I can’t tell them that. ’Cause I’m still scared myself, even a year later. I’m still scared.ÌýÌý

Cara Anthony: Rhea calls this “anticipatory stress.”Ìý

Rhea Boyd: Anticipatory stress means you carry a level of vigilance and worry and concern about things that might happen to you or your kids.ÌýÌý

Cara Anthony: Children can pick up on what’s going on in these situations and can end up carrying that toxic stress, too.Ìý

Denzel Taylor’s mother, Jean Kelly, told me about the worry that comes with having a Black son in America. The fear that he could become that 1 in 1,000 Black men killed by police.ÌýÌý

[Grand, angelic music plays in the background.]ÌýÌý

Jean Kelly: [Singing] Lord, have mercy on me …Ìý

Cara Anthony: Jean says before Denzel’s death, her spirit was on alert, like she was bracing for something bad. And a tune kept playing over and over in her mind.Ìý

Jean Kelly: [Singing] Lord, have mercy on me. I said, Lord, have mercy on me.Ìý

I just needed his, I needed his mercy and his grace and strength and everything to prepare me for what was to be … whatever it was to be, I was going to need his mercy.ÌýÌý

[Grand, angelic music fades out]Ìý

Cara Anthony: I know what Black people are dealing with today. But I can only imagine what it would have been like in 1942, when Cleo Wright was lynched.ÌýÌý

Rhea Boyd: The type of control people had their kids and their body under constantly so that they weren’t the victim of that type of violence, I think, physiologically, it was likely so enormous that the intergenerational effects of that type of terror still live in our bodies as descendants of those who experienced it.ÌýÌý

Cara Anthony: Research is starting to explore how living with this kind of terror could go beyond behaviors to something deeper: changing how our genes work.ÌýÌý

[Bouncy instrumental music plays.]Ìý

Some of this research comes out of a field called “epigenetics.” It’s the idea that something you experience can change how the genes in your body are expressed.Ìý

And that can have huge impacts on your health: It could make you age quicker or be more prone to developing a disease like cancer.Ìý

And epigenetic research is looking into how things your ancestors experienced could also affect your health today.Ìý

A police shooting and a lynching.Ìý

Two Black men killed in the same town — nearly 80 years apart.Ìý

As I reported their stories, many people have asked why we’re examining the deaths of Cleo Wright and Denzel Taylor side by side.Ìý

After years of reporting on these deaths, I’ve decided, as a health reporter, I want to focus on is this: the trauma that remains after the violence against these men — the possible health effects for their families and their communities.Ìý

I want to better understand what the loss could mean for Cleo and Denzel’s daughters. Little girls growing up without their dad.Ìý

Cleo’s daughter, Nannetta Forrest, wasn’t born yet when her father was killed. When we last spoke a few years before she died, she was 78 years old. And she said she was still asking herself that question that had nagged at her, her whole life: Who would she have been?Ìý

Nannetta Forrest: Would I have been the same person? Would I have been a different person?Ìý

Cara Anthony: And Denzel’s girls: De’nia and Aiyana. And Brookelynn, who wasn’t born yet. Brookelynn might ask herself the same thing as she grows.Ìý

Mikela Jackson: She has no memories. She’s never seen him a day in her life. So it’s like, she’ll never know him, like, as a person. [Den’ia playing in the background]Ìý

Cara Anthony: Just like Nannetta, Denzel’s girls are facing higher risks of psychological and mental health problems … and the possibility that losing their father this way could change how their genes work.Ìý

[“Silence in Sikeston” theme begins playing.]Ìý

In the face of those risks and possibilities, Keke’s looking for ways to protect her daughters.Ìý

She’s moved them away from Sikeston to a city where she hopes they’ll have more peace.Ìý

She wants them to know all about their dad, and how much he loved them.Ìý

She wants them to know his voice.ÌýÌý

Denzel Taylor: Hey, Cupcake!Ìý

Cara Anthony: It’s the opposite of silence. She wants them to be able to heal out loud.Ìý

On the next episode, we’re in Sikeston, where people are looking for ways to heal and move forward after the deaths of Cleo Wright and Denzel Taylor.ÌýÌý

Pershard Owens: We got to look in the mirror and say, am I doing what I can to try and change the dynamic of Sikeston, even if it does hurt? That’s what we have to start doing.ÌýÌý

Cara Anthony: Including the possibility for big changes — community-level, systemwide changes.ÌýÌýÌý

James McMillen: I get frustrated and I’m trying to direct that frustration into something that could actually work.ÌýÌý

Cara Anthony: That’s next time, on the final episode of “Silence in Sikeston.”Ìý

[“Silence in Sikeston” theme ends.]Ìý

[Upbeat instrumental music plays.]Ìý

Cara Anthony: Thanks for listening to “Silence in Sikeston.”Ìý

Next, go watch the documentary — it’s a joint production from Retro Report and Ñî¹óåú´«Ã½Ò•îl Health News, presented in partnership with WORLD.Ìý

Subscribe to WORLD Channel on YouTube. That’s where you can find the film “Silence in Sikeston,” a Local, USA special.ÌýÌý

This podcast is a co-production of WORLD Channel and Ñî¹óåú´«Ã½Ò•îl Health News and distributed by PRX.ÌýÌý

It was produced with support from PRX and made possible in part by a grant from the John S. and James L. Knight Foundation.ÌýÌý

The audio series was reported and hosted by me, Cara Anthony.Ìý

Zach Dyer and Taylor Cook are the producers.ÌýÌý

Editing by Simone Popperl.ÌýÌý

Taunya English is managing editor of the podcast.ÌýÌý

Sound design, mixing, and original music by Lonnie Ro.ÌýÌýÌý

Podcast art design by Colin Mahoney and Tania Castro-Daunais.ÌýÌý

Oona Zenda and Lydia Zuraw are the landing page designers.Ìý

Have you seen the amazing Sikeston photography? It’s from Michael B. Thomas.Ìý

And Lynne Shallcross is the photo editor.Ìý

Thank you to my vocal coach, Viki Merrick.ÌýÌý

Music in this episode is from Epidemic Sound and BlueDot Sessions.ÌýÌý

Additional audio from the CBS TV show “Strike It Rich” and Denzel Taylor’s family.Ìý

Some of the audio you’ll hear across the podcast is also in the film.ÌýÌý

For that, special thanks to Adam Zletz, Matt Gettemeier, Roger Herr, and Philip Geyelin.ÌýÌý

Kyra Darnton is executive producer at Retro Report.ÌýÌý

I was a producer on the film.ÌýÌý

Jill Rosenbaum directed the documentary.ÌýÌýÌý

Kytja Weir is national editor at Ñî¹óåú´«Ã½Ò•îl Health News.ÌýÌý

WORLD Channel’s editor-in-chief and executive producer is Chris Hastings.Ìý

We’re keeping this conversation going on Instagram and X.ÌýÌý

Tarena Lofton and Hannah Norman are engagement and social media producers for the show.Ìý

Help us get the word out about “Silence in Sikeston.”ÌýÌý

Write a review or give us a quick rating wherever you listen to this podcast.ÌýÌý

Thank you. It makes a difference.Ìý

Oh, yeah. And tell your friends in real life, too.Ìý

[Upbeat instrumental music ends.]Ìý

Credits

Taunya English Managing editor Taunya is deputy managing editor for broadcast at Ñî¹óåú´«Ã½Ò•îl Health News, where she leads enterprise audio projects. Simone Popperl Line editor Simone is broadcast editor at Ñî¹óåú´«Ã½Ò•îl Health News, where she shapes stories that air on Marketplace, NPR, and CBS News Radio, and she co-manages a national reporting collaborative. Zach Dyer Senior producer Zach is senior producer for audio with Ñî¹óåú´«Ã½Ò•îl Health News, where he supervises all levels of podcast production. Taylor Cook Associate producer Taylor is an independent producer who does research, books guests, contributes writing, and fact-checks episodes for several Ñî¹óåú´«Ã½Ò•îl Health News podcasts. Lonnie Ro Sound designer Lonnie Ro is an audio engineer and composer who brings audio stories to life through original music and expert sound design for platforms like Spotify, Audible, and Ñî¹óåú´«Ã½Ò•îl Health News.

Additional Newsroom Support

Lynne Shallcross, photo editorOona Zenda, illustrator and web producerLydia Zuraw, web producerTarena Lofton, audience engagement producerÌýHannah Norman, video producer and visual reporterÌýChaseedaw Giles, audience engagement editor and digital strategistKytja Weir, national editorÌýMary Agnes Carey, managing editorÌýAlex Wayne, executive editorDavid Rousseau, publisherÌýTerry Byrne, copy chiefÌýGabe Brison-Trezise, deputy copy chiefÌýTammie Smith, communications officerÌý

The “Silence in Sikeston” podcast is a production of Ñî¹óåú´«Ã½Ò•îl Health News and WORLD. Distributed by PRX. Subscribe and listen on , , Amazon Music, iHeart, or wherever you get your podcasts.

Watch the accompanying documentary from WORLD, Retro Report, and KFF .

To hear other Ñî¹óåú´«Ã½Ò•îl Health News podcasts, click here.

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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Keep the Conversation Going: Share Your ‘Silence in Sikeston’ Feedback With Us /news/article/silence-in-sikeston-share-your-thoughts/ Thu, 26 Sep 2024 16:20:00 +0000 /?post_type=article&p=1922292 Do you have feedback about the “Silence in Sikeston” project that you’d like to share with Ñî¹óåú´«Ã½Ò•îl Health News?Ìý

CommentsThis field is for validation purposes and should be left unchanged.We want to hear from you. Share your thoughts, feelings, and questions about our “Silence in Sikeston” project here. (Fewer than 300 words, please.)(Required)Do you want to break the silence about an issue in your community? Tell us about it. We also want to know if “Silence in Sikeston” inspired you. “Silence in Sikeston” is the start of a conversation about racism and health — where should that discussion go next? (Fewer than 300 words, please.)

Please provide your name and email address so we can reach out to talk further.

Name(Required) First Last Email (will not be shared and will be used only by Ñî¹óåú´«Ã½Ò•îl Health News)(Required) Enter email Confirm email Phone number (will not be shared and will be used only by Ñî¹óåú´«Ã½Ò•îl Health News)Where do you live? City State / Province / Region What is your age?Would you be willing to have your full name published in a news story?(Required) Yes No

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Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

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This story can be republished for free (details).

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Watch: What You Reveal, You Heal — Meeting the Makers of ‘Silence in Sikeston’ /news/article/racism-silence-in-sikeston-meet-the-makers-behind-scenes-podcast-documentary-film/ Wed, 25 Sep 2024 09:00:00 +0000 /?post_type=article&p=1919968 Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony sat down with WORLD executive producer Chris Hastings to discuss the origins of the “Silence in Sikeston” project, which explores the impact of a 1942 lynching and a 2020 police shooting on a rural Missouri community. The collaboration with Retro Report includes a documentary film, educational videos, digital articles, and a limited-series podcast on the toll racism has on health.

For more on the “Silence in Sikeston” project:

WATCH: The documentary film “Silence in Sikeston,” a co-production of Ñî¹óåú´«Ã½Ò•îl Health News and , is now available to stream on , , and the .

LISTEN: The limited-series podcast

The 1942 lynching of Cleo Wright in Sikeston, Missouri, and conversations with one of the few remaining witnesses launch a discussion about the health consequences of racism and violence in the United States. Host Cara Anthony speaks with history scholar Eddie R. Cole and racial equity scholar Keisha Bentley-Edwards about the physical, mental, and emotional burdens on Sikeston residents and Black Americans in general.

Racial violence is an experience shared by residents of Sikeston, Missouri, and many Black Americans. Staying silent in the face of this threat is a survival tradition families have passed down to their children to keep them safe. After host Cara Anthony uncovers details of a police killing in her family, she and psychologist Aiesha Lee discuss the silence that surrounds racism and its effects on health across generations — including the reverberations Anthony and her family live with today.

  • To catch the upcoming episodes, subscribe and listen on , , , , or wherever you get your podcasts.

READ: Ñî¹óåú´«Ã½Ò•îl Health News Midwest correspondent Cara Anthony wrote an essay about what her reporting on this project helped her learn about her own family’s hidden past.

Ñî¹óåú´«Ã½Ò•îl Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF—an independent source of health policy research, polling, and journalism. Learn more about .

USE OUR CONTENT

This story can be republished for free (details).

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